my fellow Poles

Stanisław Barszczak, I felt I had done my best,

I got interested in reading very early, because a story was read to me, by Hans Christian Andersen, which was The Little Mermaid, and I don’t know if you remember The Little Mermaid, but it’s dreadfully sad. The little mermaid falls in love with this prince, but she cannot marry him, because she is a mermaid. And it’s so sad I can’t tell you the details. But anyway, as soon as I had finished this story I got outside and walked around and around the house where we lived, at the brick house, and I made up a story with a happy ending, because I thought that was due to the little mermaid, and it sort of slipped my mind that it was only made up to be a different story for me, it wasn’t going to go all around the world, but I felt I had done my best, and from now on the little mermaid would marry the prince and live happily ever after, which was certainly her desert, because she had done awful things to win the prince’s power, his ease. She had had to change her limbs. She had had to get limbs that ordinary people have and walk, but every step she took, agonizing pain! This is what she was willing to go through, to get the prince. So I thought she deserved more than death on the water. And I didn’t worry about the fact that maybe the rest of the world wouldn’t know the new story, because I felt it had been published once I thought about it. So, there you are. That was an early start, on writing… How I learned to tell a story, and write it? I made stories up all the time, I had a long walk to school, and during that walk I would generally make up stories. As I got older the stories would be more and more about myself, as a heroine in some situation or other, and it didn’t bother me that the stories were not going to be published to the world immediately, and I don’t know if I even thought about other people knowing them or reading them. It was about the story itself, generally a very satisfying story from my point of view, with the general idea of the little mermaid’s bravery, that she was clever, that she was in general able to make a better world, because she would jump in there, and have magic powers and things like that. So I don’t know if you remember The Little Mermaid…. I am continuing this story with more positive overtones, as sad Hans Christian Andersen described her. As you already know, it had been published once I thought about it. An example taken from life. And my life was moving forward. So, the context of the events of my stories are the wild fallows of Poland and the other countries. I had a long walk to school, I had a long way to experience the world. I have to say it. I have had a long way to the priesthood. And to this moment with you two. So, I had to do awful things to be here with you now, and during that walk I would generally make up stories. As I got older the stories would be more and more about myself, as a heroine in some situation or other, and it didn’t bother me that the stories were not going to be published to the world immediately, and I don’t know if I even thought about other people knowing them or reading them. It was about the story itself, generally a very satisfying story from my point of view, with the general idea of the little mermaid’s bravery, that she was clever, that she was in general able to make a better world, because she would jump in there, and have magic powers and things like that… I always wanted to be outside doing important things, at any occasion I would go in for stories. Was it important that the story would be told from a priest’s perspective? I never thought of it being important, but I never thought of myself as being anything but a priest, and there were many good stories about little boys and men-heroes. After you got maybe into your teens it was more about helping the woman to achieve his needs and so on, but when I was a young man I had no feeling of inferiority at all about being a priest. And this may have been because I lived in a part of Poland where the men were outside doing important things, they didn’t go in only for stories. They made money in factories and mines. They did not live from stories written in books, they were practicing everyday life. And yet I always felt at home there. So I felt quite at home always. You probably already know that I’m due to my mother. I have always wanted to tell anybody of their life, about it. Then I was going to the seminary, I had more and more awareness of life in the priesthood with. I became a priest, I was lucky to work for the group. You imagine a life on the parish, creation of a human community. As I got older and older the time has come and I have gained more freedom, I started to play in saving my experiences and passing on to others, and it wasn’t until much later that I realized that it would be interesting if one got them into a larger audience. How did that environment inspire me? You know, I don’t think that I needed any inspiration, I thought that stories were so important in the world, and I wanted to make up some of these stories, I wanted to keep on doing this. The priest can also learn from the gift of real life saved by the inspired authors in the Bible. What is important to me when I tell a story?What is important to me when I tell a story? Obviously, in those early days the important thing was the happy ending, I did not tolerate unhappy endings, for my heroes anyway. And later on I began to read things like Les Miserables (wretches). My country, Poland. You just have to be there. I think any life can be interesting, any surroundings can be interesting, I don’t think I could have been so brave if I had been living in a town, competing with people on what can be called a generally higher cultural level. I didn’t have to cope with that. The Polish epoch of socialism and the pontificate of the Polish Pope. I was the only person I knew who wrote stories… I was the only person who could do this in the world. I have to start out with a fairly clear idea of what the story is about. I think probably that part when you go over the story and realize how bad it is. You know, the first part, excitement, the second, pretty good, but then you pick it up one morning and you think “what nonsense”, and that is when you really have to get to work on it. And for me it always seemed the right thing to do, it was my fault if the story was bad, not the story’s fault. But how I turn it around if I am not satisfied? Hard work. But I try to think of a better way to explain. Was the writing a gift, given to me? I don’t think the people around me would have thought that, but I never thought about it as a gift, I just thought that it was something that I could do, if I just tried hard enough. But I was still learning to write the way I wanted to write. So, no, it wasn’t an easy thing. What did your mother mean to me? Oh, my feelings about my mother were very complicated, because she was a very gregarious person, who wanted very much to be part of a social life, and of course that wasn’t possible for her because of her material problems. So I was embarrassed by her, I loved her but in a way perhaps didn’t want to be identified with her. Did she inspire you in any way? I think she probably did but not in ways I could notice or understand. I can’t remember when I wasn’t writing stories, I mean, I didn’t write them down, but I first told them to her. But the fact that she heard them. My mother, I think, would have been more agreeable to someone who wanted to be a writer. She would have thought that was an admirable thing to be, but the people around me didn’t know that I wanted to be a writer, cause I didn’t let them find out, it would have seemed to most people ridiculous. I wrote whenever I could, and my first priest was very helpful, to him writing was an admirable thing to do. He didn’t think of it as something that a man couldn’t do, as many of the men that I met later did, he took it as something that he wanted me to do and never wavered from that. I want young people to be inspired by my books and feel inspired to write. I think I write naturally in an easy way, without thinking that this was to be made more easy. Juliette, Adriano, Alexandro would always be the heroes of my stories. And this is our Sundays’ meeting after Holy Mass, it is a great joy for me. I want to say that I am so grateful for this great honour, that nothing, nothing in the world could make me so happy as this! Thank you very much!

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