it was already

Stanislaw Barszczak, Lost African horizon.

The Poland of the 21 century. Someone said,‘We have a president who stole the presidency through family ties, arrogance and intimidation, employing Republican operatives to exercise the tactics of voter fraud by disenfranchising thousands of blacks, elderly Jews and other minorities.’ You know, the moral immune system of this country has been weakened and attacked, and the global warming virus is the perfect metaphor for it. The malignant neglect of the last twelve years has led to breakdown of our country’s immune system, environmentally, culturally, politically, spiritually and physically. But there is no dragon in Cracow. For Jesus got a second chance to come to the earth. Jesus was born there. Jesus was born not in Nazareth or Bethlehem, but far to the north, on the land of Polans, in the city of Krakow. And that was only a few years ago. My only problem from now on is finding a way to play my fortieth fallen masculin in a different way from my thirty-ninth. Barbara and I had arrived early, so I got to admire everyone’s entrance. Yet you can find the Corleone restaurant in a street in the old town. We were seated at tables around a dance floor that had been set up on the lawn behind the house. Barbara and I shared a table with Jadwiga Jankowska-Cieślak and her husband. Jadwiga, a lovely Polish redhead, had been brought to Cracow to play opposite Karol Strasburger in the film Polish roads. Janusz Morgenstern needed a cool, refined beauty. Jadwiga Jankowska-Cieślak had an ultra-ladylike air about her that was misleading. In fact, she was quick, sharp, and very funny. She and Barbara love poetry and got along like old school chums. As you know, poetry does not teach us how to talk to other people: it teaches us how to talk to ourselves. So, Kazimierz Kaczor was also there with his wife. It was the first time I’d seen him since we’d worked for Morgenstern. It was a treat talking to him, and I felt closer to him than I ever did on the set of Polish roads. He was so genuinely happy for my success in sport that I was quite moved. Karol Strasburger arrived late, and it was a star entrance to remember. He stopped for a moment at the top of the steps that led down to the garden. He was alone, tanned, and wearing a white suit. He radiated charisma. He really was the King. The party was elegant. Hot Polynesian hors d’oeuvres were passed around during drinks. Dinner was very French, with consommé madrilène as a first course followed by cold poached salmon and asparagus hollandaise. During dessert, a lemon soufflé, and coffee, the cocktail pianist by the pool, who had been playing through dinner, was discreetly augmented by a rhythm section, and they became a small combo for dancing. The dance floor was set up on the lawn near an open bar, and the whole garden glowed with colored paper lanterns. Later in the evening, I managed a subdued jitterbug with Jadwiga Jankowska-Cieślak, who was much livelier than her cool on-screen image. I was, of course, extremely impressed to be there with Polish royalty that evening. Barbara had lived an entirely different life than mine, that’s for sure, which is one reason I found her so fascinating. I think her early life was one reason she had such authenticity as an actress, and as a person. She had a wonderful, free, open quality in a film, and that’s what she was like as a woman. Reclusive by nature, she was happy to just stay home, but she read everything. She got me reading books as a way of life and, if I asked her, would help me out with my acting. We only had one scene together- I played her daughter’s boyfriend!- o there was a limit to what I could learn by working with her. She taught me what to do with my hands, how to get over my self-consciousness, and how to lower my voice, which I thought was still too high. And she taught me to be decisive with things like entrances. “When you walk in,” she told me, “be sure you’re standing up straight. Walk in with confidence.” She didn’t want me to sidle into a scene as if I were ashamed to be in the movie. Make the entrance! Take the scene! Looking is an important part of Barbara’s acting: many performers have beautiful eyes, or use their eyes expressively, but few use them so attentively to observe and survey others and the world. I was in love with her. She was very loving, very caring, very involved with me. I had been with girls, and I had been with women, but I had never been with a woman with her level of knowledge, her level of taste. I was so incredibly taken with her, taken by her. We were both at turning points in our lives…At any rate, she had just gotten her divorce when we met. She was at a very vulnerable moment in her life and career. The forties are a dangerous time for any woman, and especially so for an actress whose work is her identity- definitely Barbara’s way of life. The transition to playing middle-aged women has unnerved a lot of actresses, but she faced it straight on because that’s the kind of woman she was. The continuity of her career was more important to her than any individual part. Like so many people in show business, she was a prisoner of her career. In most respects, Barbara was a man’s woman, although her home was lovely. Like me, she was an animal lover- she kept poodles. Barbara had a lot of things going on in her head, but she didn’t put it out there for conversation, let alone public consumption. When I was with her, it was all about us. Because I was so involved with Barbara, I was off-limits for other women, which was something of a problem for the studio.
This latter would arrange for two young stars-in-waiting to go out to dinner and a dance and assign a photographer to accompany them. The result would be placed in a fan magazine. It was a totally artificial story documenting a nonexistent relationship, but it served to keep the names of young talents in front of the public. As far as I was concerned, it was part of the job, and usually pleasant enough. When reporters would ask me about my romantic life, which they did incessantly, I had to say things like, “If I go out with one woman a few times, it’s considered a romance. If I date a lot of girls, I’m a Casanova. It’s one of those ‘heads-you-win-tails-I-lose’ deals. I don’t think it’s anybody’s business what I do.” The last sentence contained my true feelings. My mother was upset that I was in love with an older woman. As for my father, as with most other events in my life, he was not in my corner. And I eventually told Kazimierz Kaczor about it. All he said was, “Wonderful! Are you happy? If you’re happy, that’s all that matters. Because of the age difference, neither of us wanted to have our relationship in the papers, and with the help of her publicist and one of her best friends, we kept it quiet. There were only a few people who knew about us. Would she invite me in, or would she just take her key, pat me on the cheek, and thank me for a lovely evening? And then I straightened up to look at her with what I’m sure was a hopeful expression, and I saw something I hadn’t seen in her eyes before. It was a magical look of interest, and appreciation, and desire. I immediately took her in my arms and kissed her. I had never had a reaction from a woman like I had from Barbara. A different kiss, with a different feeling. We went into the house; we opened a bottle of champagne; we danced. I left at dawn.
After that, things happened very quickly. She gave me a key to her house, and I gave her a key to my apartment. If we were in town, we spent every weekend together. She cooked for me- she was good in the kitchen, but then she was good everywhere. We watched the Friday night fights on TV, we wandered to Africa on the film. Then on Saturday or Sunday afternoons we’d go for long walks in the mountains. We became part of each other’s lives. In a very real way, I think we still are. Barbara proved to be one of the most marvelous relationships of my life. I was twenty-five, she was forty-five, but our ages were beside the point. She was everything to me- a beautiful woman with a great sense of humor and enormous accomplishments to her name. Spending time around her house I convinced her to spend some time watching them with me. So, another time I ran the projector. She did enjoy reminiscing about their production: how she got the part, what the location was like, that sort of thing. She liked people with humor. As I watched her films with her, it was clear that, for her, the movies were a job she loved, as well as a social occasion for a woman who was otherwise something of a loner. When she was in the hospital dying, I called, and she asked me not to come and see her; she wanted me to remember her as she was. I felt I had to honor her request. As we talked, she told me she was wearing the four-leaf clover necklace I had given her. Barbara was cremated wearing it, and her ashes were scattered over Baltic see. I never forget her passion for details. The fact that a piece of me remained with her at the end was and is some consolation for her loss. Someone said, in the works of the better poets you get the sensation that they’re not talking to people any more, or to some seraphical creature. What they’re doing is simply talking back to the language itself, as beauty, sensuality, wisdom, irony, those aspects of language of which the poet is a clear mirror. Poetry is not an art or a branch of art, it’s something more. If what distinguishes us from other species is speech, then poetry, which is the supreme linguistic operation, is our anthropological, indeed genetic, goal. Anyone who regards poetry as an entertainment, as a read, commits an anthropological crime, in the first place, against himself. A poet is a bird of unearthly excellence, who escapes from his celestial realm arrives in this world warbling. If we do not cherish him, he spreads his wings and flies back into his homeland…A person born with an instinct for poverty… But inside every man there is a poet who died young. The only thing that can save the world is the reclaiming of the awareness of the world. That’s what poetry does. Poetry is not an expression of the party line. It’s that time of night, lying in bed, thinking what you really think, making the private world public, that’s what the poet does. Poetry is finer and more philosophical than history; for poetry expresses the universal, and history only the particular. So, with me poetry has not been a purpose, but a passion. Spring has returned. The Earth is like a child that knows poems. Teach you children poetry; it opens the mind, lends grace to wisdom and makes the heroic virtues hereditary… I’m so glad you’re here. It wouldn’t be Christmas without Anne and Luddie. How many have we missed in the last 20 years? There. Watch your step. What do you think? I think it’s going to be the best Christmas ever… Is that the reason you didn’t go to Rome? … But I fought God so hard for so long that I wanted to show him finally that I could accept the fact that Dane and Ralph are his not mine. I sacrificed the chance to go in hopes of making peace with God at last. Don’t question why Dane is coming home. Take it as a sign of peace. What’s the matter? Mom? What is it? Dane is dead. No. He’s coming home. Jussie telephoned. He drowned. He was trying to save somebody. He’s dead. Father we entrust unto you Dane whom we loved so much in this life. Welcome him into Paradise where there will be no more sorrow or pain no more weeping but only peace and joy with your Son and with the Holy Spirit forever and ever. Amen. The Lord is merciful and kind and rich in mercy. Man’s days are like the grass. He flowers like the flowers of the field. The wind blows and he is gone and his place never sees him again. How will we live without him? We will. Your God gathers in the good ones and leaves the living to those of us who fail. Your greedy God. There is no peace with him. Meggie, no. No more. What can God do to me now? What more do I have to lose? Your soul. Your heart. Your love. The love you’ve always had within you, despite everything. Despite everything but this. I loved you, Ralph. I never stopped loving you despite everything. Despite the fact that you were never mine. What part of you I got, I had to steal. But that part was the best. Because that part was Dane. Dane was your son, too. Yours and mine. It isn’t true. He was your son, Ralph. And you couldn’t see it. Couldn’t see that he was just a more perfect version of you. Couldn’t love me enough to see that I would never have gone back to Luke or to any man after you. And now you say it isn’t true. Poor Ralph. Poor Cardinal de Bricassart (see, The Thorn birds, Maggi to the cardinal de Bricassart). Man’s days are like the grass. A human being is only interesting if he’s in contact with himself. I learned you have to trust yourself, be what you are, and do what you ought to do the way you should do it. You have got to discover you, what you do, and trust it.
So, I am also very proud to be a liberal. Why is that so terrible these days? The liberals were liberators – they fought slavery, fought for women to have the right to vote, fought against Hitler, Stalin, fought to end segregation, fought to end apartheid. Liberals put an end to child labor and they gave us the five day work week! What’s to be ashamed of? So, you know, I was a personality before I became a person. I am simple, complex, generous, selfish, unattractive, beautiful, lazy etc. I’ve been called many names like perfectionist, difficult and obsessive. I think it takes obsession, takes searching for the details for any artist to be good. I am skinny now. I believe in love and lust and romance. I don’t want everything to add up to some perfect equation. I want mess and chaos. I want someone to go crazy out of his mind for me. I want to feel passion and heat and sweat and madness. For it is true, even people with painful childhoods… grow up to be more interesting people. You see, I just don’t want to be hampered by my own limitations. Art does not exist only to entertain, but also to challenge one to think, to provoke, even to disturb, in a constant search for the truth. How I wish we lived in a time when laws were not necessary to safeguard us from discrimination. I arrived in the catholic church without having my nose fixed, my teeth capped, or my name changed. That is very gratifying to me. So, there’s a part of you that always remains a child, no matter how mature you get, how sophisticated or weary. You know, Barbara and I, we are like a child. Specially need I instant gratification. Doubt can motivate you, so don’t be afraid of it. Confidence and doubt are at two ends of the scale, and you need both. They balance each other out. What is exciting is not for one person to be stronger than the other… but for two people to have met their match and yet they are equally as stubborn, as obstinate, as passionate, as crazy as the other. I like celadon green colour, although at this point, no color reciprocates my interior. I love things that are indescribable, like the taste of an avocado or the smell of a gardenia. I was raised on the streets, in hot, steamy Silesia, south of Poland, black from coal and the iron-fired but sunny land of Slask, with stifled air. There is a tremendous honour to be with you today. I am part of audience. The boy of this land, you got a wish. I thank anyone for everything. You keep my passion alive…You got a reason for livin’. You battle on with the love you’re livin’ on, You gotta be mine we take it away. It’s gotta be night and day just a matter of time. And we got nothing to be guilty of our love will climb any mountain near or far we are, And we never let it end. We are devotion. And we got nothing to be sorry for, Our love is one in a million. Eyes can see that we…Got a highway to the sky
I don’t wanna hear your goodbye… I’ve spent so many mornings. Just trying to resist you, I’m trembling now. You can’t know how I’ve missed you. Missed the fairy-tail adventures, In this ever-spinning playground. We were young together. I’m coming out of make-up. The lights already burning, Not long until the camera’s will start turning. And the early morning madness. And the magic in the making…Yes, everything is as if we never said goodbye. I don’t want to be alone that’s all in the past. This world’s waited long enough, I’ve come home at last! Someone believes in only light of day, Someone strong enough to show the way, Someone everyone believes in… Someone who, will stand by you. And that will be your heart in mine. My love is on the line, I know its how i’m gona stay. For a stranger in a strange land far away. And just to see your spirit shine, I feel your hand in mine, I write a letter every single day, to a stranger in a strange land far away. May we share the most tomorrows, I will hear you when you cry, Should we let it come between us. Never knowing how we live or die. I will walk you through the pouring rain, I will help you learn to live and love again. If i’m heald before you go to heaven, I send you home again. Memory, All alone in the moonlight, I can dream of the old days, Life was beautiful then I remember the time I knew what happiness was. Let the memory live again. Every streetlamp seems to beat,
A fatalistic warning, Someone mutters and the street lamp gutters. And soon it will be morning. As you know I was for my peers, Bambo boy. You know, Africa of mine. I believed you Africa, I went to the abyss of Africa, to Hippona, over Libya, I was crossing the red earth, where funny clouds like white elephants cost their shadow; and now over the ribbon of the Mediterranean: the sky is above and below. Africa, I would like to touch you, my reality, my earth, this pain for dark glasses, that protect against the splendor of your magnificence, white as elephants-clouds. Africa, my heart is bursting with pride, Africa, the land of my ancestors, a country where the father is staring at the horizon, it calms the tree, the continent on which my mother, from the seashells and the sun, can conjure up a home, an area where my companions will rise up in all the limitlessness of humanity. Now I know that we must go on, for all eternity on, beyond the boundaries of habits that everyone has to crush the sordid structures of enslavement, ignorance and isolation to match your nature. Be tall and stand as confidently as your mountains are overgrown like forests, hard and uncontrollable like your desert, rich as your coast, fertile like the banks of your rivers, as free as your animals, a man like your people, forever a man like them, by the memory of their wounds. Africa, your dreams are black, Africa, I miss you because I am already strong, Africa, goodbye …Let me say, the existence of pain is unnecessary, Lord. We can also live without him. Flowers do not have teeth. A friend says: this world is so full that no one can complete it with understanding. But at the beginning it was empty, if you do not count these stones, they are like clotted thoughts where the dark is calling … So that we do not make pain and do not complain! You know this, one day I will return to where I left from, with a different look in my eyes and with the echoes of distant places in my imagination. Carrying the shadow of the world, light and transparent like the wings of flies, free from the intersections of time and space… Our love will climb any mountain near or far, oh we are that we never let it end. But you listen: you must travel further, because you have to discover and remember the earth again and again, periodically, creatively – its seasons and sounds, a warm breath of hospitality, a healing touch of otherness … so that it does not become cold and unapproachable. You need to remind that to the whole globe and learn all a new of the eternity of life. (licentia poetica by stanislaw Barszczak)

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