for the readers of my blog

An Interview with Salman Rushdie

Cousin asks me, how can you tell you’re ready to start a new book?

Usually because an idea is nagging at me. Sometimes you have a person you want to write about, sometimes there’s an event you want to explore, Salman Rushdie, best known author for ‘the Satanic Verses’ says. I think the same thing. Joseph Heller said that all his novels began with a sentence -one would come to him, and he would know that it contained many more. If an idea sticks around, still interests me, crops up every morning when I wake- that tells me I need to pay attention. And sometimes that can take many years. “Before I wrote The Enchantress of Florence, I had been thinking about both the Emperor Akbar and Niccolò Machiavelli for decades,” Salman Rushdie said. I always thought, “I’m going to get around to writing about them one of these days.” It never occurred to me that they would end up in the same novel. But at some point they started talking to each other, and I realized that was the book… Cousin ends my speech by saying, write books for young people.

Someone else another day, maybe a reader asked me, how do you work? And has it changed over the years?

I’ve always told myself to treat it like a 9-to-5 job, Mr Salman said. You just go do it. It doesn’t matter whether you’re feeling good that day. I don’t think writers or artists can afford to have a “creative temperament” or to wait for inspiration to descend. You have to simply sit there and make yourself do it. And over the years that’s a discipline I really developed, Salman Rushdie mentioned. I can sit down at my desk every day and do my work, never give myself permission not to do it. Once your mind understands that it has no excuses, it’s remarkable how it begins to play along. I’m maybe unusual among writers in that I’m not a recluse. A lot of writers, especially when they’re deeply engaged in writing, retreat from the world. I find that I’m greatly nourished by engaging outside work, being with people I care about, doing things I like to do. that revives and energizes me and allows me to go back to work refreshed the next day… I also used to feel the need to have a good sense of the structure of the story before I could begin. As I’ve gotten older -maybe one just gets braver about jumping off a cliff -I find myself more willing to start without planning everything out, the international celebrity author emphasizes. Often the story I finish is quite unlike the story I thought I’d begun to write. The writing becomes a process of discovering.

And what about me as a scribbler. My colleague asked me, is your ability to write better prose the first time now due to practice or discipline?

I do think it’s one of those things that gets better with practice. But there’s something else: There’s a point at which you really start knowing who you are and in what direction you hope your work will go, and that gives you greater confidence and clarity, so you get it right the first time…

After I’d written my books, I felt I had completed that process of self-exploration. I knew myself as a writer, so I could proceed from that point.

I say personally, I’m not done any of my books, what is published is only the beginning of my books. I did not solicit feedback, I can not do this. I don’t share work in progress, because I find it’s too fragile. If I’m writing a funny scene, and I show it to you and you don’t laugh, I feel sad, lose confidence. So I bring it as far as I can before I show it to anyone. But then I become very interested in what publishers and friends have to say. It’s not so much about needing them to like it, although that’s always nice. What I really want is for them to tell me where the problems are.

A friends asked me: you’re close to many other writers. How do you support and inspire one another?

If I said we got together and talked about literature, I would not be telling you the truth. We talk about almost everything else. But we do have a kind of instinctive understanding of one another, because we’re all doing the same thing. What has also been valuable is getting to know writers much younger than myself. There’s a tendency to be very engaged with your own generation and to feel inspired by- or to argue with- the generations that came before. So it’s easy to forget the generation that comes after. But those young writers are as helpful as old friends. They keep you fresh and let you see how people from another point in time, raised in a different world, think and do things.

Understanding the world is a very difficult thing. Bringing human beings to life on the page is a difficult thing. I’ve always felt that a writer should also have some relationship with language that changes all the time- new voices, new styles, new manners -and that’s a constant wrestling match. What’s most difficult is that it should not feel difficult to the reader. But I’m making it sound like it’s only hard work. It’s not. It’s actually the most enjoyable thing I can think of doing. The moments at which I’m happiest are when I’m writing a book and I can feel it’s working. It’s exhilarating- much more so than publishing a book.

I want the readers to bring their imagination to my book and show them the moments at which I’m happiest are when I’m writing a book and I can feel it’s working. Once day I would like to promote my books.

I did not worked at any agency yet. I do not know such things as discipline.
So, if you’ve got to produce work by Thursday at 2:30 because that’s when the client is coming in, you learn how to get it done.

Do you ever feel as though you’re chasing success of my book? A friend told me that my books will be read a hundred years. I wish he had been wrong on this issue. All you do is write the next book. So always I have intended.

I am a Catholic priest. How did the authority of the Catholic Church affect my work?

The world was shouting in my ears always. I’m glad that I belong to the Catholic Church, we have the sequence of the third Pope is not Italian. But they are still my readers I think they would see continuity in the literature. There’s no great disruption. And I’m proud of that, the fact that I was able to go on being myself as an artist.

But I didn’t want to be derailed as an artist. So I told myself quite firmly, “Just go on being the writer you’ve always been.” I am a little lazy, readers will forgive me, I do not use the full benefits of twitter, facebook. But also I do not have with me the staff people who help me. Though I believe that whoever wants to can freely read my text on the Internet. So, I’m very happy, for instance, that ‘Fencer of God’ is now 12 or 13 years old and that people who weren’t born when the book came out can connect to it.

(conf, Life’s Work: An Interview with Salman Rushdie by Alison Beard, Harvard Business Review, From the September 2015 Issue. p.128; given by father Stanislaw Barszczak)

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