Stanislaw Barszczak, Ballade to The Our Lady
I
In a town of the steppes where I found exceedingly merry and happy life of my childhood, the best and the brightest spot was the forest(resp.end). Often did I use to walk there, first to lay on some thick, rich, sweet-smelling grass; second berries to collect, making then love with the girlfriend of my dreams. You had to go through the beautifully cornfields. As looking backwards, you had a view of our Church and several hills around. In the game show the left hand was a cemetery. That time I could discern through openings in the curtain of verdure a belfry’s gilded cross which reared itself solemnly over crosses and memorials. At the foot of those memorials the sacramental vestment of the cemetery was studded with a kaleidoscopic sheen of flowers over which bees and wasps were so hovering and humming that the grass’s sad. I did not hear the birds, only cuckoo. I have seen pigeons, and yes. Beyond the wall of the cemetery the blue void of the firmament was pierced with smoky chimneys of the glass factories, the roofs of which showed up like colored stains against the darker rags and tatters of other buildings; while blinking in the sunlight I could discern windows which looked to me like watchful eyes. On the nearer side of the wall was a sparse strip of turf dotted over with ragged, withered, tremulous stems, and beyond this, again, lay the site of a burnt building which constituted a black patch of earth-heaps, broken stoves, dull grey ashes, and coal dust. Viewed toward the gravesite suddenly somebody halted on the path, sternly extending a hand towards a white stone monument near us, one read aloud: “Under this cross there lies buried the body of the respected citizen and servant of God.” On the white sides of the memorial-stones, the setting sun was casting warm lurid reflections. Moreover, everything around us seemed curiously to have swelled and grown larger and softer and less cold of outline; the whole scene, though as motionless as ever, appeared to have taken on a sort of bright-red humidity, and deposited that humidity in purple, scintillating, quivering dew on the turf’s various spikes and tufts. Gradually, also, the shadows were deepening and lengthening, while on the further side of the cemetery wall a cow lowed at intervals…I remember, when I was a high school boy in the sixth class, I was walking with her the village in the Katowice region near the great Steel Mills. It was a sultry, languidly dreary day of September. Our eyes were glued together, and our mouths were parched from the heat and the dry burning wind which drove clouds of dust to meet us; one did not want to look or speak or think. Her name was Lidia. Our eyes were glued together, and our mouths were parched from the heat and the dry burning wind which drove clouds of dust to meet us; one did not want to look or speak or think. And we went into the forest, where were the small trees. I was with her, wandering aimlessly. Suddenly I was awakened with the sound of blows being struck against the ground near my head. At a time I had had the thoughts of lust, even sensible view donated to me girl already. I but had for a while, on this sunny, southern time, a view of my mother also. Face then struck me branch birch. At first my eyes remained blinded with unfathomable brightness, that hit from heaven, and could not discern what the matter was. The only thing that I could see amid the golden glare of the June sunlight was a wavering blur which at intervals seemed to adhere to a tree. Raising but myself to a standing posture, I found crazy about this girl. I’d welcome her more and more. Presently, however, against my wish, indeed, that wavering blur resolved itself into a little, poor girl, neutral on my sensible desire of hers…Never in my life have I seen a greater occasion to be loved than that very day. I knew that they would be a good hour getting the big friendship; that Mom would be not less than an hour returning from a factory home, and then would laundered clothes from Mrs. Irena for seven or eight hours, the same working hours as mill glass marketing before a noon; that I should waste a quarter of the day waiting, after which there would be again the heat, the dust. I still even heard the muttering of the two voices, Mrs. Irena and Mom in my ears during this afternoon. Lidia was a girl of thirteen in a simple cotton dress. She had long chestnut hair, and standing now with her back to me, and all I could see was that she was of a slender figure, and that her little bare heels were covered by long trousers. I took little air into the lungs, and felt all at once as though a wind were blowing over my soul and blowing away all the impressions of the day with their dust and dreariness. I saw the bewitching features of the most beautiful face I have ever met before in real life or in my dreams. It stood a beauty, and I recognized that at the first glance as I should have recognized lightning. “All gaze at the sunset, and every one of them thinks it terribly beautiful, but no one knows or can say in what its beauty lies.” At first I felt hurt and abashed that Lidia took no notice of me, but was all the time looking down. As I said, she did not even look at me at this moment.; it seemed to me as though a peculiar atmosphere, proud and happy, separated her from me and jealously screened her from my eyes. I was conscious only of the its healthy rural girls’ step in the passage and in the forest behind me…This was supposed to be love, my first time. But Lidia was not prepared for it. The three hours of waiting passed unnoticed. It seemed to me that I had not had time to look properly at Lidia. I don’t know how it happened, but this afternoon I found quickly back in the house. The wet bed linen and clothing I saw after the clock house. Mrs. Irena shouted to Mom: “whether or not is something yet to washing?” Mom helped her as she could, till night to wash everything. While all the topics of a busy day have been over, Mrs. Irena has opened the door and she moved to yourself. Mom and me we went to sleep in silence as though we were angry with one another. In our home was white at night, because of pure underwear and bed linen. II Another time, after I had become a priest, I was traveling by car to the north an Our Lady of Sorrows, it seemed the Madonna of Częstochowa have appeared me in the way at Rząśnia near Piotrków Trybunalski. It was May. Then I got out of the car in the garage, to walk about the rectory. The shades of evening were already lying on the parish garden, and on the fields; the garden screened off the sunset, one could see the sun had not yet quite vanished. I noticed that the a few people were standing or walking near the church. Among the curious whom I met near this day I saw, however, an intelligent man with his dog, cordial, and sympathetic fellow, as people mostly are whom we meet on our life travels by chance and with whom we are not long acquainted. I only wished to him good day. Then I walked up and down the path I prayed breviary. Suddenly I saw a feminine figure. Bejewelled in black robes, the Mother of God holds no Child in her arm. The brightness of her mind hit me in time. I’d welcome her very much. The Black Madonna can be seen with various icon covers depending upon the season or holiday. The jeweled covers are examples of rich artwork and images of the Black Madonna wearing all of them can be purchased in the monastery’s gift shop. Also take note of the amber rosaries that hang from the wall around the chapel and add a warm glow to the already rich surroundings. The dark tones of the Black Madonna’s skin are attributed to a legend that describes a fire that damaged the monastery but left the icon unscathed except for the discoloration of the pigments of the painting. The darkness of her face is ascribed to various conditions, accumulated residue from candles, of which its age is primary. Somebody opines: the shrine was destroyed by fire, but the picture was not burned, however, the flames and smoke had darkened it and from that day it has been known as the “Black Madonna.” An art historian who studied the image, believed that the present image was restored in the nineteenth century and painted somewhat darker than previously. Adding to all this confusion, a notable Swiss copy, kept in the Hospice of the Great St. Bernard Pass, is much darker than the version in Jasna Gora, while a copy at a shrine in Doylestown, Pennsylvania is depicted in lighter flesh tones. I saw her in black while going to the Church, which is located behind a gate in the wall. The Virgin Mary with darkened skin. So, the Virgin’s darkened face and hands. When I want to hug, striving for her upraised right hand, she significantly prohibits to touch her, as the mother of a child it does. Perhaps all that may be said of Our Lady is that she may be called black, but she is certainly beautiful. Her miraculous reputation, though, is beyond dispute, I suppose. “I am black but beautiful” Our Lady of Częstochowa at this moment would said certainly. With an intensity of stare that knows suffering past and suffering to come, this is no woman of timidity, but a woman of steel. Protected by concrete brick gate in the Wall, the Virgin has a stilling effect on me. She demands attention, complete attention. I was pierced by her gazing at me no matter where I was. It has a tangible effect. As one regular disciple I would said, she brings comfort to those in discomfort, and discomfort to those in comfort. As I said the Black Madonna could have been it. She can be seen with various icon covers depending upon the season or holiday. The jeweled covers are examples of rich artwork and images of the Black Madonna wearing all of them can be purchased in the monastery’s gift shop. Also take note of the amber rosaries that hang from the wall around the Częstochowa chapel and add a warm glow to the already rich surroundings. The dark tones of the Black Madonna’s skin are attributed to a legend that describes a fire that damaged the monastery but left the icon unscathed except for the discoloration of the pigments of the painting…My Black Madonna, she was also woman of thirty, wearing a black dress, with her head bare and a little shawl flung carelessly on one shoulder. Before I had time to realize what I was seeing, I was suddenly overwhelmed by the feeling I had once experienced in the Ząbkowice village. The woman was remarkably beautiful, and that was unmistakable to me and to those who were looking at her as I was. If one is to describe her appearance feature by feature, as the practice is, the only really lovely thing was her thick wavy fair hair, which hung loose with a black ribbon tied round her head; all the other features were either irregular or very ordinary. Her eyes were screwed up, her nose had an undecided tilt, her mouth was small, her profile was feebly and insipidly drawn, her shoulders were narrow and undeveloped for her age, and yet the girl made the impression of being really beautiful, and looking at her, I was able to feel convinced that the Polish face does not need strict regularity in order to be lovely; what is more, that if instead of her turn-up nose the girl had been given a different one. She was continually looking round at me, at one moment put her arms akimbo, at the next raised her hands to her head to straighten her hair, talked, laughed, while her face at one moment wore an expression of wonder, and I remember for a moment her face and body were at rest. The whole secret and magic of her beauty lay just in these tiny, infinitely elegant movements, in her smile, in the play of her face, in her rapid glances at me, in the combination of the subtle grace of her movements with her matured freshness, the purity of her soul that sounded in her laugh, and with the weakness we love so much in others. I bet that she is in love with a king, I thought. To live out with that ethereal creature and not fall in love is beyond the power of man. What a calamity. Putting my head out and looking back, I saw how, she walked along the path by the church, smoothed her hair, and ran slowly into the garden, which no longer screened off the sunset, the plain lay open, but the sun had already set. It was something melancholy in the spring air, and in the darkening sky, and in the village for a while. The familiar figure of the guard came into the church, and he began lighting the candles inside. O Our Lady, pray for us sinners. “The Battler’s vision and the World’s reply, you shall restore me, O my last Ally.” May you remain with us in its Częstochowa shape always, because you are really beautiful.
Notes
[1] The woods are the physical location in which I explore his doubts and opposing desires, and as such represent his personal hell. The forest setting and the path become increasingly symbolic with details such as the dark wall of forest, an altar like rock, blazing pines, the strange sinful hymn with all of such…The forest is the home of the strange and threatening and is also viewed as the home of the devil. Symbolism is amazing in many ways, and so is this forest. I believe the forest was in many ways an evil place. This place didn’t have to be evil but was. The forest is also on a dark path, love for faith, and his beliefs on society in general. The most fascinating part about the forest to me is that it closes behind him. This is the point of no return, where he first doomed himself by willing to admit he is unsure of the world and his surroundings. This also is a symbol declaring that one may not return to own faith, because our mind won’t let us. The forest is full of evil, and ancient puritan beliefs which is a great basis for the story in questioning dream or reality. Oh, and if your really into the Bible you could go as far as saying this is like the Garden of Eden. Speak of the forest, one may think of “The divine comedy ”by Dante in which he said “in life’s midway, I get lost in the black forest”, moreover, in the story, the setting is dark and gloomy, so for my part it represents the devil. The man who meets me in the forest appears to represent the greatest generation of a world ; his staff is a symbol of any generation as well. Thus, we have Adam facing the serpent in the Garden of Eden. It was, of course, a tree the Tree of Knowledge, that enticed Adam. The man is enticed by an entire forest. Like Adam, he suffers a great fall from innocence. Faith appears to represent in time religious faith of mine and my faith in others; her pink ribbons stand for innocence. “Look up to Heaven, and resist the Wicked One.” He then finds himself alone in the forest, wondering whether he has awakened from a dream or really did attend the witches’ sabbath of our civillisation. This man appears to represent human beings confronted with temptation, that is, he wishes to enter the dark forest of sin, so to speak, to satisfy his curiosity about the happenings there and perhaps even to take part in them. By author.