You start writing

Stanislaw Barszczak— I became a catchy writer—

1.How and when did you get started as a writer? Growing up I hated doing nothing. I did all I could to avoid obligations. Once I became the owner of the property and lived in a “house mother”, I found the book in the attic of a large two-door cabinet sandstones. Turns out later I learned I was suffering from a reading comprehension disability. It wasn’t until 7th grade that things changed. I was lucky in my life, I met three Polish language teachers: Mrs. Kawalec, Mrs. Grzegorczyk and Mr. prof. Mikołajtis. The latter gave us a lot of texts for reading. And when we wrote essays, he insisted that they had been titled: ‘Polish job, school’. I loved Kochanowski, Kraszewski, Sienkiewicz, Mickiewicz, Slovacki, Krasinski, Wyspianski, Hugo, Conrad. And I knew, at age 15, that I wanted to be a writer. When I was a freshman in high school, I wrote a short story titled ‘My thoughts after the meeting with prof. Hashimoto of Japan’. It was published in the school’s annual magazine. My career, you might say, had begun. Today it seems to me that I was already very advanced in understanding the writer’s creative intentions. Even I’m starting to write often, but I regret to say here that there are texts no written with a pen, but chosen some thoughts stored in synthesized memory of computer. But constantly looking for ways to maximize my clerical potential watching cultural programs on television. My teacher TV announced that we’d be reading 4 books that week, also one by S. Rushdi. So, it was a “literary Quartett” in the German TV show with the participation of Mr. Marcel Reich-Ranicki, Hellmuth Karasek und Sigrid Löffler. I read then summary of The Moor’s Last Sigh by Salman Rushdie, from page one until the end of the book, I was catapulted into another world. The book amazed me. I thought about it for days after reading it. I could not wait to read another book. And it was like that for all of S. Rushdi’s books. Before I knew what was happening to me, I was buying books like that in stores and reading at least a book a month. 2. How do you usually find your ideas?  It’s a great question. One I can’t answer in black and white. Sometimes I get a character in mind; sometimes a plot, or a twist ending. Lots of times I just start writing and see where it leads me. Occasionally I get inspired with something that has a beginning, middle and end. Recently, I talked about my desires of writing my friends. A priest that writes books. We laughed, and realized, despite what we want me to do. And for example, while I also write Fiction adventure series about the people of the stranded starship on a 17th century alternate world. It combines sociology (the science) with some anachronistic additions to sword and gunpowder swashbuckling. 3. Did you ever get any rejections? Did I ever get any rejections? Hmmm. Maybe only enough to wallpaper my entire flat, monthly. (I still get rejections). Part of being a writer is having a thick skin. Finding and interested editor, I believe, has to do a lot with luck and timing. 4. If yes, how did you react to them? “There are two types of rejections. Form Letter and what I call Positive Rejection. You wonder if they didn’t just open your submission, attach a Form Letter, and return it to you without so much as reading a word. A little depressing at times. But what can you do? The Positive Rejection is when an editor or someone like that, a similar authority, in the same industry, actually takes the time to personalize the rejection letter in some way. “Close, try us with your next story idea.” Something like that. Anything that makes it more than a just a Form Letter Rejection, I suppose. Those I consider inspiring. I have such a letter is not so much negative, but a courtesy one of Mr J. Poniewierski of February 1997, see my articles have been favorably accepted in the publication, although they were not then published. For me it was a crucial letter for my literary career. Earlier I was by no means in touch with Mr. prof. P. Ricoeur. I wanted to write more scholarly texts. I got an interesting responses to those letters of his secretaries. 4. What are the major challenges that you have faced in your career? There are many major challenges I think most writers face. For me, frustration is one of them. Always wondering if my story is good enough, if my writing is good enough. Then once I sell a work and it is published. But I worry that no one is going to buy the books, read them, like them. I worry about marketing and sales figures and getting out and promoting. Although not undo Exhibitions Publishing Catholic, such as a few days ago in Warsaw. Then there is finding enough time in a day to do all that needs to be done. I work full time, I freelance part-time for a community newspaper, write book reviews for a web site. 5. Who is your target audience? I think I write primarily for priests of active imagination. Since older men and women buy most of the fiction published today, I’m glad that my fascination with the daring and clever writers and artists, ties in with their reading habits. I am always torn between writing stories that appeal on a pleasure level and ones that point up the illusions of life. I prefer to write the kinds of stories that I enjoy, but on the other hand, I would hope to have some aspects buried in the writing that would one day be considered a contribution to literature. I work on varied projects with the aim that every area of the craft I learn will add something to the next project I venture. 6. What are your main concerns as a writer? I think a writer’s greatest concern is securing a place in the church. Today, the writing isn’t enough. While we may have sweated blood over our portrayals of our fictional realities, no one will see them unless the finished novel reaches the attention of potential readers. I’m disappointed that the big corporate publishers are widely accepted to be the arbiters of quality’s writing. I mourn for a better world where books were published because someone believed in their message or content. 7. Do you write everyday? Before I became embroiled in weeks of promotion, I used to write most days. When revising chapter, I may write a paragraph or a couple of pages; when writing a first draft I might get 3,000 words down once I know where the scenes are going. I generally start with some housekeeping, saving completed work to a storage site or into a thumb drive, making new notes in my scenario or plot files. Usually I write in complete scenes and end when I reach the final actions. These may also require revising in order to keep up the pace and tension before I write on into the next scene.(to be continued)

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