priest Stanislaw 87

Lessons from a lifetime of writing

My mother had difficulty raising a small child and holding down a full-time job without help, so she placed me in an orphanage and later in a series of boarding homes. I grew up unsure of who he was, desperately in need of a father figure. Books and movies were an escape.At the age of seventeen I became a fan of the classic television series, Odyssey, and the young people’s movies, about two young men in a lorry traveling the Europe in search of America and themselves.In my own case, I had a happy childhood. Then after school I went to parishes as a priest. Unfortunately I remember at the time I slept undethe sense of sight. As an experiment, I wanted to try it, however, because I felt that it was extremely appropriate to the main character’s emotions. Usually, in an abduction story, an author will choose alternating third-person viewpoints in which the victims, and the person left behind are dramatized. But in life, there are no such alternating viewpoints. What happens to each of us happens one hundred percent. Each of us is trapped in an isolated viewpoint. In my books I wanted to communicate that sense of isolation. First of all, I wanted to create some mystery about my hero. Second, I wanted to make the reader sympathetic toward him. The character has been through enormous suffering. His psyche is wounded. We’re afraid of him, but we also understand why he acts as he does. Using these senses makes the reader feel the scene rather than see it. ..Pacing is also an issue-how much detail to include and how much to leave out. …I try to learn about everything I write about. Then I send my manuscripts to the editor I learned from and ask them to point out any errors. r the bed, fearing for my safety. My traveling round the Poland and whole world, these events still the other day, left me anxious about the stability of everyday life. The death of my mother in 2005 only reinforced my conviction that we can’t take anything for granted, that life can suddenly turn against us. My books dramatize that sort of abrupt change. I’m consumed by guilt and regret. For me, in a debate between nature and nurture, nurture is the most important factor. I’m known for heroes who’ve been trained to handle action and holy of holiesThe hero of my story is a complex man who has to face some interesting things from his childhood. How did I create the character of my hero? I’ve also written about a different kind of hero, someone who’s leading a normal everyday existence and then is suddenly forced to be extraordinary, to find resources that the character never imagined he or she possessed. My hero mostly has a loving marriage, a wonderful son or daughter, and a successful career. He embodies the American Dream of life. The “I” narrator is a dangerous viewpoint because it tends to lead to wordiness, to telling rather than showing, and to an over-reliance on the sense of sight. As an experiment, I wanted to try it, however, because I felt that it was extremely appropriate to the main character’s emotions. Usually, in an abduction story, an author will choose alternating third-person viewpoints in which the victims, and the person left behind are dramatized. But in life, there are no such alternating viewpoints. What happens to each of us happens one hundred percent. Each of us is trapped in an isolated viewpoint. In my books I wanted to communicate that sense of isolation. First of all, I wanted to create some mystery about my hero. Second, I wanted to make the reader sympathetic toward him. The character has been through enormous suffering. His psyche is wounded. We’re afraid of him, but we also understand why he acts as he does. Using these senses makes the reader feel the scene rather than see it. ..Pacing is also an issue-how much detail to include and how much to leave out. …I try to learn about everything I write about. Then I send my manuscripts to the editor I learned from and ask them to point out any errors. As I mentioned I’ve had courses in forest survival (lived for days in a very difficult situations ), in being a mum’s bodyguard, in surveillance, electronic eavesdropping, hostage negotiation, firearms, etc. My most fun experience was learning how to car fight. I learned how to do the forward and backward spins at high speeds, how to ram barricades, etc.
I was asked to contribute an essay to a collection of articles about writing fiction. The idea of writing about writing had never occurred to me before, although it seemed a natural thing to do, I guess, given that I had been a priest and a professor of theology and literature for 24 years and that teaching was an essential part of me. The essay I chose to do was about the common mistakes in dialogue. Luckily, I found a tone that was amusing while being informative. It gave the feeling that I was addressing the reader in person. Later, an editor got in touch with me, saying that he’d read the essay and wondered if I would do a whole book about writing fiction, provided I retained that personal tone. The temptation was too strong to be refused, so between working on my novels, I worked on the writing book. Whenever I got stuck in a difficult part of my fiction, I switched to writing non-fiction about writing fiction. The experience was great fun and emotionally rewarding. Writers rely often so much on the sense of sight that their prose feels flat. Another common mistake is that they begin at the wrong place in the story, thus requiring the unfortunate use of flashbacks. ..There’s something in me that loves providing people with information. It gives me great pleasure to explain things, to help people save time by quickly learning from me what it took me years to discover. When the students are bright and eager (as they were at the University where I taught), the experience becomes doubly rewarding. A lot of teaching also gets done in my novels. In each one, I try to give the reader a great deal of information. I once had a young man who told me that he wanted to write a detective novel. To me, all types of books are equally valid, and I applauded his intention. Six months later, he returned with a manuscript that read like an imitation of somebody. It was a well-written book, but it was old-fashioned and derivative, with no chance of being published.
My mother did read a prayer book only. I was encouraged to do so. And I was an only child who spent a great deal of time alone. I eventually learned that could be wonderful companions, and in an unhappy home, I sought refuge in reading whenever I could. The next step was to write books so that I could give others the chance to find a refuge from their lives. Somebody said, “Reality’s a nice place to visit, but you wouldn’t want to live there.” Writing about mother and sons has been a sort of compulsion that I didn’t realize controlled me until I reached the middle of my career. As I mentioned on that book, my father died in 1978. My mother has been alone. And I was an infant. I’m not sure if father ever saw me. I grew up, profoundly missing a sympathetic male authority figure in my life. Perhaps that’s why I relied on mentors. When my mum died (from cancer I suppose), the theme of some of the later novels shifted from the “search for the mother” to the “search for the son,” which is evident in my books. And I’ve found Jesus, I knew him personally.
The Internet is an amazing way to transmit information. I use it extensively for research and for publicity. In fact, I want just to acquire a website: I couldn’t get .com because another man with my name already had the .com. So now I’m a network, as David Morrel said and readers who visit my site will be amazed by how much information I give them. As far as ebooks go, I’m old-fashioned and want to hold a text in my hand, so I doubt that I’ll be experimenting in that direction. When you’re not working, what are your favorite ways to relax and have fun? I’m an avid tennis player. In the summer, I love working in our vegetable garden. I enjoy reading that goes without saying. I also enjoy watching movies on DVD. Research for my novels is also a wonderful form of entertainment, going out and learning to do the exciting things that I write about. I think we hear rather circumstances than a word of God. I wanted to take in this book the opportunity of visiting our friends on city of the our kindred spirits.

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