My life 90

Stanislaw Barszczak, Terms of endearment of Christian, part 3
I have long since retreated, working now just inside his window. So, I picture her hair as dark and soft, her lips vermilion, her eyes large and wary. But she does not turn, and he finds he is glad. I need her as she is, need her moving away from him into the snowy tunnel of his canvas, need the straight form of her back and heavy skirts with their elegant border, her arm cradling the wrapped object. She is a real woman and she is in a hurry, but now she is also fixed forever. Now she is frozen in her haste. She is a real woman and now she is a painting. “So I have felt about this book also. It is mine and not wholly mine, as I am constituted today; it represents rather some past self of mine which has already joined that long succession of other selves that existed for a while and faded away, leaving only a memory behind. For this reason it is impossible for me to write that book without hearing voice of mother always. Yet I have a broken cartilage in my left ear, I see her shield, missile, stove, primitive luxury in a countryside with few comforts. Each little girl had her own…I wonder at her escape into music which so soon becomes an escape into death…That last cry of mum was branded ineffaceably in my acoustic memory…
Nobody will convince us that white is white and black is black. Tell me what was your last love like, and I will tell you what will be the next one. He went away for good… She dropped her head, and as if her ears had been opened to the voices of the world, she heard, beyond the rampart of sea-wall, the swell of yesterday’s gale breaking on the beach with monotonous and solemn vibrations, as if all the earth had been a tolling bell. Constant chatter made it impossible to work. It’s all a desert: cracks in the earth that you can’t see the bottom of; and mountains–sheer rocks standing up high like walls and church spires, only a hundred times bigger. The valleys are full of boulders and black stones. There’s not a blade of grass to see; and the sun sets more red over that country than I have seen it anywhere–blood-red and angry. It _is_ fine. “That’s what the song says. It’s all about a pretty girl that tried hard to keep hold of a ‘Gambucino lover’, so that he should bring her lots of gold. No fear! Off he went, and she never saw him again.” “No woman can hold you, then,” she began in a brazen voice, which quavered suddenly before the end…The scrapes they got me into, and the scrapes they got me out of! I love them at first sight. I’ve fallen in love with you already… She was all in a flutter. Nobody had ever said so much to her before. She was gone already. He had been on the point of asking her to let him come inside. No matter. Anywhere would do. Devil of a fix! What would his chum think? ‘I didn’t ask you as a beggar,” he said, jestingly, taking a piece of bread-and-butter from the plate she held before him. “I asked as a friend. My dad is rich, you know. “She shook all over with noiseless dry sobs; but he was fuming and fretting too much to notice her distress. He bit his thumb with rage at the mere idea. A window rattled up…till death do us part …He set his hat firmly with a little tap, and next moment she felt herself lifted up in the powerful embrace of his arms. Her feet lost the ground; her head hung back; he showered kisses on her face with a silent and over-mastering ardour, as if in haste to get at her very soul. He kissed her pale cheeks, her hard forehead, her heavy eyelids, her faded lips; and the measured blows and sighs of the rising tide accompanied the enfolding power of his arms, the overwhelming might of his caresses. It was as if the sea, breaking down the wall protecting all the homes of the town, had sent a wave over her head. It passed on; she staggered backwards, with her shoulders against the wall, exhausted, as if she had been stranded there after a storm and a shipwreck. “You frightened him away. Good girl. Now we shall be all right. Don’t you be impatient, my dear. One day more…’
I moved around for work personally, but I think I also like to move. While there’s a certain rootlessness and solitude to nomadism, I suppose that I am, as mum asserts, fundamentally a Bedouin. I am driven to exploration and conversation despite my best efforts to sit quietly in one place. I am also crazy about film reviews, interviewing politicians and profiling county fairs, and fantasizing about writing great poem. My new idea is to meet beside the ocean with the Christian friends and live with my nervous little greyhound, and to work outside under an umbrella with a pitcher of lemonade and a plate of cookies. Once again, I will attempt to settle down and write for hours and hours at a time, the way I am told one must. But I suppose that I will end up, as usual, inviting friends or family over so I don’t eat all the cookies myself. We will sit outside together, contemplating our origins and destinations, and begin telling each other stories again. When I finally struck out on my own to do my graduate work, I instinctively sought out mentors. My first parson, the priest Stanislaw Pytlawski died during my eighth year at Olsztyn. As was increasingly that priest’s habit in the last few years, he had gone to the house for priests at Częstochowa. In the dreams he tripped on his way home, as if fell down an embankment of the city, and froze to death lying there. The funeral was my great visit at Konopiska since I had left for the next work. It was January, 2010 (on Monday) the wind piercing cold, the puddles on the path to the cemetery chapel frozen, and after having slipped and almost fallen, the neighbors accepted my arm again. They didn’t want to forgive me for not having visited for so long. At home they had made little sandwiches and tea for the others neighbors who had joined them at the cemetery. J. Conrad said, we live, as we dream—alone…He inspired uneasiness. That was it!…I saw on that ivory face the expression of sombre pride, of ruthless power, of craven terror—of an intense and hopeless despair. Did he live his life again in every detail of desire, temptation, and surrender during that supreme moment of complete knowledge?…the reluctantly taken-up pen of a sailor ashore, the pen rugged with the dried ink of abandoned attempts…G. Green said, There is so much weariness and disappointment in travel that people have to open up — in railway trains, over a fire, on the decks of steamers, and in the palm courts of hotels on a rainy day. They have to pass the time somehow, and they can pass it only with themselves. Like the characters in Chekhov, they have no reserves — you learn the most intimate secrets. You get an impression of a world peopled by eccentrics, of odd professions, almost incredible stupidities, and, to balance them, amazing endurances. We couldn’t get enough of each other. In human relationships, kindness and lies are worth a thousand truths. Obstacles are those frightening things you see when you take you eyes off your goal. I call people rich when they’re able to meet the requirements of their imagination. Only Human heart in conflict with itself is worth the agony and the sweat You can tell whether a man is clever by his answers. Let me say, we work in the dark — we do what we can — we give what we have. But Jesus Christ, and his saving pain and his love for man were always.

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